Chao Jiaxing
The model for “getting into the act”: “playing” the White Madame, Su Danji, Sally Yeh, Frida Kahlo…
Presumably, most girls of the same age will think of a whole series of related names. Ye Funa’s ability to “get into the act” stems, to a certain extent, from her “impoverished memories.” Such shared memories have brought together the lives of urban single daughters born around the year 1985.
The best explanation of the impression of these “impoverished memories” is as follows: in those days, we had clear memories of every spokesperson for popular culture, as there really were so few…
露西－叶甫纳
巢佳幸
“入戏”的砝码：“扮演”白娘子、 苏妲己 、叶倩文、福瑞达……
想必，同时期出生的小囡会回想起一连串名词来。叶甫纳的“入戏”能力多少来自童年的那些贫乏记忆，如此共通的记忆样本化地采集了85年左右出生的一代数目可观的城市独生子女生活。
对“记忆贫乏”的印象最好的解释是：那个年岁中，我们对每一部流行娱乐文化的代言人有相当明确的记忆标识，真可谓历历可数…